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Oliver Soden’s recent biography of Michael Tippett won two major prizes and was hailed by Philip Pullman as a ‘delight to read’, by The Spectator as ‘an exceptional piece of work’, and by Gramophone as ‘nothing short of miraculous’. Introducing a concert of Tippett rarities, he explains why works such as Crown of the Year and Words for music perhaps deserve to be far better known.
